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Szalai Péter (born 1962 in Budapest) is a Hungarian tabla player musician. == Biography == Péter Szalai plays North-Indian classical music and is one of the best west-born tabla musicians of our time. In his childhood he played the piano, and as stepson of György Petri at the age of 16 on the advice of a family-friend György Kurtág, he chose the Indian tabla drum pair as his instrument. The tabla is also a curiosity even among other Indian percussion instruments: it can be tuned to a specific pitch. The many layers of skin and the special finger technique ensures a distinctive polyrhythmical sound. Because of all this the tabla does not only fill the role of a rhythmical instrument, but it also has a rich tone and musicality. In the beginning Péter Szalai was the student of the magnificent Anthony Dass (Delhi gharana) between 1982 and 1984 in both Budapest and India. In 1979/80 he tried himself in two formations, the Creative Studio Five (CSÖ) led by Zoltán Krulik and the Dimension led by László Dés. Since 1980 he works together with the Indian classical music-playing Calcutta Trio (Kozma András sitar, Molnár András tanpura) and the Makám formation (he was also founder of the latter and played in it until 1991). In 1987 he played as a guest performer at the Jazz Jamboree in Warsaw with the S. Kulpowicz International Band on tabla and on other percussion instruments. In 1988, during a longer Western-European tour and recording, he played alongside Albert Mangelsdorf, W. Dauner and the Family of Percussion. The world-famous tabla master, Ustad Alla Rakha invited him to be his student. Upon his effect he still strictly follows the traditions of the Punjab gharana. Parallel to this, he also developed a special master-student bond with Pandit Ravi Shankar, who he considers his guru (master) not only in the field of Indian classical music. Beside being a frequent guest of several Indian music festivals, he has intensive and lasting connections with his master's sons – Ustad Zakir Hussain, Fazal Qureshi and Taufiq Qureshi – even after the death of Ustad Alla Rakha in 2000. As the member of the Calcutta Trio he plays classical Indian music since 1980 to this very day. The club of the formation is still functioning and meets monthly at the Marczibányi Square Cultural Centre. Besides being the member of the Calcutta Trio, he gave many thousands of concerts since 1980. Many prominent Indian musicians chose him as partner in Europe since the beginning of the 90s: Pr. Debu Choudury, Nandkishor Muley (santur), Gaurav Mazumdar (sitar), Shubhendra Rao (sitar) Ustad Ikhlaq Hussain Khan (sitar) and Debasish Ganguly (sitar). In 1992, while still playing in a duo, he founded the Tin Tin with Szabolcs Szőke. Since 1994 he is the member of the Tin Tin Quartet and after a small hiatus he returned to the formation in 1997 which was at that time called the Tin Tin Quintet. In 2000 he contributed together with violinist Zoltán Lantos, jazz guitarist Gábor Juhász and his own student Iván Nyusztay to the establishment of the Samsara Quartet. In 2002 the group also published a record. At present he is still a wanted musician for different jazz, etno and fusion productions. Since 2003 and 2006 he plays in such multi-faceted formations like Mitsoura (Mónika Miczura, András Monori, Márk Moldvai, Miklós Lukács, Éva Mandula), the Miklós Lukács Quintet (Miklós Lukács, Mátyás Szandai, András Dés, Kristóf Bacsó), the M. Trio (Evelin Tóth, Dániel Kardos) and the Rubái Trió (Szabolcs Szőke and Evelin Tóth), etc. As a guest performer he played at the concerts of Amadinda, the Dresch Quartet, Bea Palya, Ági Szalóki, etc. He participated in the production of many records like Peter Ogi, Palle Mikkelborg, Djabe, Tibor Szemző, etc. He considers teaching at RIMPA (Ravi Shankar Institute for Music and Performing Arts) an important part of his work. He was invited by Zoltán Rácz to the Music Academy where he teaches classical Indian music theory for classical and jazz music students since 2009. In 2010 he organised the ''Spirit and Sound'' and ''String and Spirit'' performer nights with such musicians like Bea Palya, Ági Szalóki, Miklós Lukács, Kálmán Balogh, Rózsa Farkas, and the Miklós Lukács Quintet. A biographical documentary shortfilm made in 2011 about Peter Szalai title: Without Sheet Music. And a portrait film made in 2013 about him title: Angel in the details. ''(Translated: Balazs Zsigmond Horvath)'' 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Peter Szalai」の詳細全文を読む スポンサード リンク
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